In a footnote in the booklet they referenced how they prepared their buckthorn berries since they bought them dried rather than fresh (from the same supplier where I bought mine). So, that solved question one I had about how to reconstitute the berries in a useful way. I figured soaking them in water would work, and had played with that a bit when the supplies first came in, but it was good to confirm it worked from a secondary source.
The recipe I'm using is in the Plictho and is the one I've been laughing about since I first got the book. It uses paternosters as a measurement of time (as in boil the mixture for the time it takes to say six paternosters). Now, I have no idea how long that is, but based on the length of text and normal speaking rhythms, I've guesstimated that it takes 1-2 minutes to say a paternoster. So, I boiled my mixture for 10 minutes.
I've done two samples, one with the leather untreated (other than using a deglazer to remove any surface finishes and dirt) and one pre-soaked in my alum water. I want to see how much of a difference it makes.
To make the dye I basically soaked some berries in tap water overnight to re-hydrate them. I then put them in a pot with a bit of alum, covered them with vinegar and boiled them for 10 minutes. I included the water I was soaking them in on the theory that there would have been juice in the berries if they were fresh. It may have weakened the vinegar a bit but I'm using strong vinegar (10% acid as opposed to normal white vinegar that is about 5%) so it should still be OK.
Once it had boiled I poured it into a jar and let it cool. It's a really dark, mucky colour. It almost looks black or dark brown in the jar, but when you paint it on the leather it's a bit like a dark olive colour. Interestingly, when you rinse the brushes, it comes off in the water as a yellowish colour (which makes sense since unripened buckthorn was used in period for yellows).
I applied two coats of colour on both sides of the leather and let it dry. Both pieces turned out a yellowish colour with a hint of green,
Applying a coat of olive oil darkened both pieces a bit. They definitely have a green tinge to them, but are in the yellow/brown tones.
Here are the pictures:
This is the colour before I add the olive oil finish. Much yellower. |
The alum treated leather was much stiffer but otherwise I didn't notice much difference in colour or colourfastness. The green isn't quite what I was looking for, but it's pretty similar to what the Yale scriptorium achieved. I do have another recipe that includes verdigris, which might make a more blueish colour.
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